I could pinpoint exactly when and why it started.

One day after rehearsal, I saw my name posted alongside the words “See the artistic staff.”

I remember sitting down in their office, so anxious that I was sweating.

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They told me: “Your body has changed.

The lines you’re creating don’t look the way they used to.

We’d like to see you lengthen.”

I was so embarrassed that all I could answer was “I understand.

I’d like to change this.”

And then I got out of there as fast as I could.

When I reached my apartment, I started crying uncontrollably.

But in my own little world, I was devastated to learn I was “fat.”

I had always been proud of my bodyits strength and grace enabled me to pursue my passions.

But now it had become the enemy.

I never thought of myself as special or particularly good at anything.

But once I started ballet, suddenly I had a new identity: prodigy.

“You’re everything he wanted,” she said.

“You’re perfect.”

I was 19 and tinyI’d never even menstruated.

I know people see dancers as thin as I was and assume we must be anorexic.

I didn’t have an eating disorderthen.

Almost overnight, my body was transformed.

Usually, ballerinas share costumes since we have similar builds.

I became so self-conscious that, for the first time in my life, I couldn’t dance strong.

I was too busy trying to hide my breasts.

After a few months, I was called in for The Talk, and the bingeing began.

I didn’t even want to be seen in ballet class, which I’d always loved.

I have so much talent.

And I hated myself for not being able to fix it.

My perverse form of rebellion (and comfort) was doughnuts.

That’s when everything began to shift.

Gradually, I started to feel more relaxed and comfortable in my frameand even happy with it.

Then I met my boyfriend, Olu, who was studying law at Emory University.

Since our relationship was long-distance for the first year, we spent every night talking on the phone.

He’d tell me over and over that I was talented and beautiful.

As a ballerina, you always stand in front of the mirror searching for flaws.

After she saw me perform in Hollywood, she left me a note asking me to call her.

I did, and when we met, we talked nearly all night long.

“Your body is fine,” she said.

“But you’ll feel better if you take care of it.”

But now I started to understand that my body’s natural evolution into womanhood had validity, too.

Dancing had always made me happy, and I wanted that back.

So my priority became simply accepting my new self.

I really didn’t give a shot to stop bingeing.

I still ate sweets occasionally because I love themespecially cupcakes and banana puddingbut now just one serving was plenty.

Within a few months, I’d forgotten Krispy Kreme’s number.

But now I owned it.

And I think I changed everyone’s mind about what a perfect dancer is supposed to look like.

Over the next few years, things at ABT just got better.

I became a soloist with the companythe first black dancer to do so in more than two decades.

And in 2012 I landed my biggest role yet, headlining inFirebird.

I remember walking out of rehearsal in jeans and sandals to get my hair done for the premiere.

It was everything that people don’t expect in a ballerina.

I stood completely still for five minutes, just crying.

It was a woman.

Photo Credit: CN Digital Archive